geometric design
"My work is based on the ancient principles of Geometry Design. To me, this is an art in itself. Geometry is the forgotten link between art and science, between man and nature and between aesthetics and function."
Geometry is more than a tool — it’s the language of nature itself.
At every scale, from the symmetry of a flower to the orbit of planets, the world is structured through pattern, proportion, and geometric relationship. We often sense this intuitively: a space that feels harmonious, a surface that feels “right,” a form that seems inevitable. Behind that feeling often lies geometry. In my work, I explore this order not as an abstraction, but as something deeply practical. Using a compass and straightedge — the most ancient of tools — I reconstruct the principles that shape both natural forms and traditional architecture. Through simple gestures like drawing a line or dividing a circle, we can emulate the same logic that nature uses to grow a leaf, form a crystal, or unfold a shell. In this section, you’ll find drawings, patterns, and design studies that form the invisible structure behind many of my physical works. This way of drawing isn’t just about creating beautiful designs. It’s a way of aligning ourselves with something larger — a quiet method for generating forms that belong. When a piece is built on these underlying patterns, it resonates with us. Not because of a fleeting aesthetic or fashion, but because its proportions speak the same visual language we find in nature, in the body - in ourselves.
"Geometry existed before Creation.”
Plato
Plato
Why this matters — especially now.
In a world saturated with visual noise, geometry offers clarity. It doesn’t shout. It doesn’t follow trends. It quietly holds everything together — the arc of a shell, the layout of a temple, the proportions of a well-made object. Geometry is structure without style, order without ornament. It’s the silent logic behind the forms we instinctively trust. And today, that matters more than ever. Design has become fast. Fashions shift endlessly. But beauty — the kind that endures — still depends on the same principles it always has: balance, rhythm, proportion. Geometric Design is not an aesthetic. It’s a way of building things that feel right. Things that resonate. Things that last.
For architects, collectors, and designers, this isn’t just an idea — it’s a way of bringing structure and impact into a space. Pieces built on geometric foundations carry a different kind of presence. They don’t follow trends or chase attention — and yet they often become the most striking thing in the room. Not because they are loud, but because they are profound. Proportions feel inevitable. Forms feel deliberate. There is a kind of precision that draws the eye — and holds it. They carry weight. They introduce rhythm, tension, clarity — the kind of visual structure that elevates not just a space, but how you feel within it.
In a world saturated with visual noise, geometry offers clarity. It doesn’t shout. It doesn’t follow trends. It quietly holds everything together — the arc of a shell, the layout of a temple, the proportions of a well-made object. Geometry is structure without style, order without ornament. It’s the silent logic behind the forms we instinctively trust. And today, that matters more than ever. Design has become fast. Fashions shift endlessly. But beauty — the kind that endures — still depends on the same principles it always has: balance, rhythm, proportion. Geometric Design is not an aesthetic. It’s a way of building things that feel right. Things that resonate. Things that last.
For architects, collectors, and designers, this isn’t just an idea — it’s a way of bringing structure and impact into a space. Pieces built on geometric foundations carry a different kind of presence. They don’t follow trends or chase attention — and yet they often become the most striking thing in the room. Not because they are loud, but because they are profound. Proportions feel inevitable. Forms feel deliberate. There is a kind of precision that draws the eye — and holds it. They carry weight. They introduce rhythm, tension, clarity — the kind of visual structure that elevates not just a space, but how you feel within it.
Geometer's Alphabet
A series of twelve geometry panels showing essential constructions — from basic forms to ancient diagrams. Painted in egg tempera on oak, these drawings act as a visual foundation for much of my design work: defining the rhythm, proportion, or structure of each piece.
A series of twelve geometry panels showing essential constructions — from basic forms to ancient diagrams. Painted in egg tempera on oak, these drawings act as a visual foundation for much of my design work: defining the rhythm, proportion, or structure of each piece.
